Playing the instruments
Copies of historical as well as modern instruments can be played in the exhibition. In workshops, instruction is available.
Should the real historical instruments also be played as well as the copies? This is the most crucial dilemma of their conservation: Played instruments wear out, get damaged, and suffer dirt and corrosion. Being conserved unplayed, silent, they loose their voices, are reduced to a mere identity as an object. Wind instruments pose the biggest challenges as moist air causes interior damage to the wood or brass. In addition, the central questions of historical mouthpieces, reeds and playing techniques need to be answered.
The «Klingendes Museum» allows some of its instruments to be played under a predefined conservational regime. Please send specific requests to the director. Some instruments can only be played in the museum, others may be lent out for projects of historical performance practice.
Top 10 instruments available for playing (on location only)
Flute Grenser, Dresden ca. 1780, restored
Oboe Golde, Dresden ca. 1850, restored
English Horn Koch, Wien ca. 1825, restored
Clarinet Clementi, London ca. 1825, restored
Bassoon Savary le jeune, Paris 1825, restored
Saxophone Adolphe Sax Fils, Paris ca. 1900, restored
Valve Horn, System Prager
Natural und valved trumpets Antoine Courtois, Paris ca. 1855
Alto Trombone Paulus, Berlin late 19th c.
Ophicleide Kretzschmann, Strasbourg mid 19th c.
Top 10 of the lendable instruments
Flute Theobald Böhm-Mendler, München ca. 1880
Oboe Heckel, Biebrich late 19th c.
Clarinet Gautrot, 13clefs mid19th c.
Tarogato Stowasser, Budapest 20th c.
Horn 2 valves, Guichard or Gautrot, mid 19th c.
Horn Egger, copy after Millereau ("Cor Chaussier")
Cornet Adolphe Sax, Paris 1876, with original mouthpiece
Valve trumpet Egger, copy after Antoine Courtois (ca. 1855)
Slide trumpet Egger, copy after Antoine Courtois (ca. 1845)
Bass saxhorn in Bb, 4 valves, Besson, Paris ca. 1880